Barnes & Noble, the largest bookstore chain in the U.S., is closing a third of its stores over the next decade, they say.
In 2011, Borders Bookstores shut down all their stores.
Up here in Canada we haven't heard any mutterings—or not many, anyway—about closing our Chapters Bookstores, but can it be far off?
I find this whole scenario interesting. People are furious, sad, or even celebrating, but no one is without an opinion. I was sad at first. Nostalgic, really. Then I started to think about it a little deeper.
Yes, I think that when these huge box stores shut down, there will be fewer books sold. And as an author, that's obviously not good. I think the books bought in these stores are mostly impulse buys, not planned ones. That is neither here nor there, but here's the thing. When I go to Chapters—and I love to spend a couple of hours there, just wandering, perusing, latte in hand—I never leave with just one book. I grab the one I came for (if I came with one in mind), then … well, it's like popcorn. I can't stop. Everything's so pretty and exciting and colourful and inviting! How can I just walk away and leave all those books? What if I miss the ultimate adventure of a lifetime?
But let's look at another story.
… there was a little bookstore near my home. Actually, it wasn't all that near. It required that the whole family get into the car and drive, then look for a parking spot (because there weren't any big parking lots around there), feed the meter, etc. But all that effort was worthwhile, because we were out doing more than just buying a book or two. It was an event, almost.
Beside that store was a little hardware store and a Chinese grocery store (where they had a "pet" snapping turtle in their basement who was over 75 years old! They let me visit it when I was small), and an adorable little store that sold loads of special cheese and a bunch of little figurines that I collected. A couple of doors down from them was a children's clothing store. There was even a butcher on that little street. I loved when we went out to visit those places. We always knew the owners—sometimes even their families. They were always happy to see us, whether or not we bought anything. We usually did, though. We understood it was their business, their livelihood, and we were more than happy to be a part of their success—and in return we got both good products and personalized service.
Then one day a major sports store took over half a block. We'd never seen anything like it, so we popped in … and left with our arms full of bags, even though we really hadn't needed anything to do with sports. They were such good deals! There was so much choice! It was just so darn exciting to be in there, with the young, energized staff, the flashy promotional messages, the funky music blaring through the speakers. Just made you want to dance while you handed over your Visa card. Over time, they started selling ladies' clothing as well, so we stopped visiting the other store. They'd be fine without us. Or so we thought.
It wasn't long before a huge grocery store moved into the neighbourhood. Again—what choice! Everything laid out like presents at Christmas … and ooh! look at those things we've never eaten before! We need to buy some of those! One of the saddest memories I have as a child was finding out that our cheese/figurine shop had gone out of business about a year after that.
I hardly noticed the changeover when Chapters opened, and it was only in passing that I realized our little bookstore was gone. I was first in line, Visa in hand. And I haven't stopped shopping there since—except for when I actually take the time to go out and visit the rare independent bookstore or when I shhh! shop online. Even then, I always try to buy my books online from Chapters, not Amazon. Just on principal. But really, isn't Amazon just a bigger box store eating all the smaller box stores? And we used to celebrate these massive stores when they arrived.
Now times are a-changing. The E-book revolution has changed the world, yes, but more than that, it was the internet.
Before now, we had no idea of the millions of books out there. Actually, I doubt there really were millions of books out there until the internet, when it suddenly became possible for anyone at all to write and sell books. But back then, one of the more relaxing, enjoyable things for me was stopping in at the little bookstore, browsing, then buying just the right book. Not being handed promotional postcards, being shuffled towards the gift section, or having tables of $5 books slid in my path. Just finding something that would take me away.
So what will happen now? It's not as if books are going to go away. You'll always be able to find the #1 Bestselling Amazon Book! or the Free Book of the Day! online. You'll still be welcome at any library, and your friends will always lend you books. But oh, those hours of lost time, wandering the bookstore aisles, picking up books on impulse because of the pretty covers and managing to grab a candle or bowl for a friend's birthday at the same time … How will we survive?
I moved to a small town five years ago, so the internet has become a very easy way for me to pick up books. We have no small store here. I have to go half an hour before I can find a Chapters store. So yes, I'm starting to increase my online shopping. And I do love when a book arrives in the mail.
But what if--and, like I said, there's no talk of this at all, so don't go around saying "Genevieve said so! I'm just hypothesizing—Chapters closed down. What would I do? Yes, I could drive to the closest independent bookstore, once I found out where that was. Yes, I could continue to shop online.
But what if … the shutting down of box stores meant the rebirth of independent stores? What if my little town all of a sudden offered a tiny bookstore? What if Future Shop closed and little electronics stores opened instead, and we got to know the actual owner, not just a hired hand? What if big grocery chains had to downsize? Well, we all have to eat. Maybe if the giants aren't there to take all the money, those quaint little grocery stores with the handwritten price labels could come back. Maybe we could even attend farmers' markets and end up eating better, supporting local.
The #1 thing box stores and the internet give us, in my opinion, is convenience. We're spoiled. It'd take some time, some adjustments, but personally, I don't think I'd be all that sad if those massive stores were gone.
The world is shrinking, and we're all fitting quietly and easily into those narrowing borders. Despite all the talk we do about reading labels and avoiding GMOs, I believe I served a Mexican tomato in our salad last night because it's just too darn cold to grow them here in January, and we wanted a tomato! *stomp stomp stomp* But really, couldn't I have waited? Couldn't I have eaten something else? Couldn't I have stopped being spoiled and accepted what I was given without complaints?
As an author, I will sell fewer books if the big stores are gone. I know that. I'm sure a lot of people pick up a copy of one of my books completely on impulse, because of the pretty cover or the intriguing blurb on the cover. Not because the shop has propped it up as a "featured book" at the front counter. Because, in case you didn't know this, all the books you see featured at any of the big bookstores are being featured not because the bookstores choose to do it, but because the publishers have put big bucks into those displays. Can you really see everyone racing out to buy books like 50 Shades or Hunger Games if they hadn't been stacked to the ceiling everywhere you turned? Without some great marketing miracle, you'll never see a new or local author featured that way (except at a signing). We can't afford to pay for that.
Big Box bookstores closed a ton of small bookstores. The internet is closing a bunch of those Big Box bookstores. I don't think it means fewer people are reading—in fact, I think because of ebooks and the ease of internet shopping, the opposite is happening.
I'd miss the hours of wandering through bookstore aisles, reading samples. But I love the idea that these closings might be opportunities for new doors to open. Independent stores. They won't be nearly as hard to find if this happens, I'm betting. And I'm all for that.
GIVEAWAY ENDS FRIDAY DEC. 21!
FEATURE AND GIVEAWAY! Summary:
Spring, 1768. The Southern frontier is a treacherous wilderness inhabited by the powerful Cherokee people. In Charlestown, South Carolina, twenty –five year-old Quincy MacFadden receives news from beyond the grave: her cousin, a man she’d believed long dead, is alive—held captive by the Shawnee Indians. Unmarried, bookish, and plagued by visions of the future, Quinn is a woman out of place … and this is the opportunity for which she’s been longing.
Determined to save two lives, her cousin’s and her own, Quinn travels the rugged Cherokee Path into the South Carolina Blue Ridge. But in order to rescue her cousin, Quinn must trust an enigmatic half-Cherokee tracker whose loyalties may life elsewhere. As translator to the British army, Jack Wolf walks a perilous line between a King he hates and a homeland he loves.
When Jack is ordered to negotiate for Indian loyalty in the Revolution to come, the pair must decide: obey the Crown, or commit treason …. How I Know Katherine Scott Crawford:I am, as many of you will know, with a historical romance book review group called Romantic Historical Fiction Lovers, and when I saw this book was coming out I jumped at the opportunity to read and review it. After all, my books are also set partially in the Keowee Valley, and I was hoping she could teach me along the way. Well, I was pleasantly surprised. I loved the book. One of my #1 recommendations for this Christmas. Thank you so much for being here, Katherine! Excerpt:
Prologue
My story begins before the fall, in that Indian summer time when the hills are tipped with oncoming gold, and the light hangs just above the trees, dotting the Blue Ridge with gilded freckles. The mornings and the evenings are cool, but it is the mornings I remember most: waking before the men, wrapping a shawl around my shoulders and slipping out through the fields, the dry grass crunching beneath my boots. Drifting down from Tomassee Knob the mist would spread over the Keowee Valley in a great, rivering pool of gray, the sun rising in the east flecking the horses’ breath—suspended in the air before their nostrils—with slivers of shine. It was then the whole world was quiet, no crows eating my corn, the peacefulness not even broken by the bay of some wolf on the ridge, calling to the still-lit moon in the western sky. The whole world was silent then, and the Blue Ridge breathed beneath the deep purple earth. I thought I could feel it, a great heart beating in the wilderness.
He came to me in the morning. I had crossed the north fields and made my way to the creek at the edge of the forest to check on the last of the Solomon’s Seals I’d watched cling to the embankment in the final days of summer. Ferns reaching the height of my elbows billowed out from the ground, spreading for what looked like miles. The smell of sap emanated from fallen pines where woodpeckers searched for tiny bugs and snakes lay still in the cool undergrowth. Every once in a while a squirrel or rabbit leapt from its camouflaged hiding place, skirting the path I walked.
Coals from a recent fire smoldered black in a pile a few yards from a bend in the creek, and I looked up and farther into the woods, wondering if a Cherokee scout or perhaps a trapper had decided to take his rest on our land. But the woods were eerily still, and not a bird sang nor cricket chirped. There was no movement except for the creek itself, bubbling up against a tiny dam made by runaway branches, cane and weeds. My eyes came to rest across the creek on shadows at the bottom of an enormous oak. Suddenly, the shadows shifted, and the shape of a man stepped forward, seeming to emerge seamlessly from the trunk, his feet making no sound in the leaves.
The breath caught in a knot in my throat, and I placed a hand there, the other fumbling in my skirts for the lady’s flintlock I’d been given. He walked closer, still without sound, and stood watching me from the edge of the creek bed. I pulled the pistol from its hold, pointing it unsteadily at the stranger.
"Come no closer,” I ordered, the words tumbling awkwardly off my tongue and echoing softly in the small dip of valley.
He raised his head, eyes emerging from beneath the brim of a battered farmer’s hat. Across that creek they looked as green to me as moss growing on boulders in the water. His hair was long, the fawn color of a well-worn leather saddle, and the ends were tipped with the same pale blond that streaked through the rest, like he’d dipped his head in white paint. He looked like a white man turned savage, with his moccasin-laced boots and dirty, fringed deerskin shirt, a beaded strap crossing his chest, holding a hatchet and musket on his back. He did not speak, just looked at me from under that hat, shadows cast high on his cheekbones and the solid line of his jaw. The creek gurgling and my breathing were the only sounds. Soon, I knew, the settlement would awake, and the animals would need to be fed, the horses let to pasture. Surely someone would notice I was missing.
It was the first time he had come to me, but it would not be the last. And though my story ends with him, he did not cause it to begin. I did that, on a midsummer day in the year of our Lord 1768, in the twenty-fifth year of my youth. Author:
Katherine Scott Crawford was born and raised in the blue hills of the South Carolina Upcountry, the history and setting of which inspired Keowee Valley. Winner of a North Carolina Arts Award, she is a former newspaper reporter and outdoor educator, a college English teacher, and an avid hiker. She lives with her family in the mountains of Western North Carolina, where she tries to resist the siren call of her passport as she works on her next novel. Visit her website at www.katherinescottcrawford.com for more information, or to connect with her via Facebook and at her blog, The Writing Scott.
#1 GRAND PRIZE:
Kaki Warner's acclaimed trilogy: THE RUNAWAY BRIDES—three strong-willed women headed West in search of new lives. But when their train is stranded in a dying Colorado mining town, they get more than they bargained for…and find love where they least expect it.
GRAND PRIZE #2:
"Lightning paced, innovative, topical … and most of all, frightening." -- James Rollins, New York Times bestselling author
FEATURE AND GIVEAWAY! Today's featured book is: Summary:
A passion for humanity drives Rona Altrows’s Key In Lock. The people in these entertaining yet poignant stories wrestle with self-doubt, ethical dilemmas, money problems, health issues. Yet somehow they survive and sometimes they even thrive. Key In Lock also marks the return of Irene, beloved manager-in-all-but-name of Marjorie’s Lingerie introduced in A Run On Hose. This time Irene takes on issues as diverse as dating later in life, the effect of childlessness on a person’s psyche, stress incontinence, and the love rituals of banana slugs. Irene also brings us tales of her youth in the days of the polio epidemic and Vincent Price horror movies.
How I Know Rona Altrows:Once upon a time I wrote my very first book. I was so proud of it and so amazed that I'd actually done it that I forced it down the throats of all my friends and family members. Bless their hearts, they all congratulated me on a job well done. One day I spied a free Writers In Residence programme being offered at the Calgary Public Library. Shaking from head to toe, I brought in my twenty-five first pages and left them there for Rona Altrows, the Resident Author, to read. This was my first experience with a real, live author. The following week I went in to meet with her, and she absolutely amazed me. Yes, she liked the book, telling me "You've got it, kid," but she also smoothly and patiently (and compassionately) taught me the basics of editing a book, making it something people don't just set aside. Rona has always been a mentor to me, though she is humble about that label. She's a very enthusiastic supporter and promoter of aspiring and little known authors, she's an author of unique, eye-opening, poignant tales, and best of all, she's my friend. Thanks for being a part of this, Rona! Excerpt:
A man needs a certain amount of intercourse. You can stay at the rubbing-pressing-groping stage for only so long. You may be able to stretch it out for months, which is how it’s been going with Raymond and me. When you are in your sixties, like we are, you like to extend everything out, move at a more relaxed pace, as though that will convince the Grim Reaper not to rush.
It’s not as if he’s said so in words, but through the way he acts, Raymond has shown me how he would like the scene to unfold; he’ll be ready any time I am. And to be fair to him, I can’t hold out forever. I mean, he has been patient, a gentleman—no pushing or insisting. But at some point, no matter how sweet a guy is, or how old, only penetration will do. I’m in a jam now. He’s great company, a fine man, and easy on the eyes, but I’ll never love him. What’s more—and this is the part that scares me right now—there’s something I don’t want him to know. If we keep seeing each other, there’s a chance he’ll learn my secret; if we go all the way, he’ll find out for sure. Can I live with that?
So I’ve given myself a deadline. Tonight. We’re going out to a movie, and then he’ll drive me back to my apartment for a drink. By then, I’ll have made up my mind. Right now I’m still doing the back and forth. We humans would probably be better off if we were built more like banana slugs. In her university classes, my young friend Julie learns how animals go about their business. She knows I am curious and tells me the juiciest stuff, like the slugs’ story. She talks about how they court for hours, which is like years for them, and how they snack on each other’s slime before sex. But to me, the best part is the location of the genitals, not too far from the head. With that anatomy, I figure there’s a good chance that they use their heads when it comes to deciding about sex. Not like us. All that distance between the brain and the other place leads to nothing but trouble. Bad matches, heartache, aggravation—I’ll bet those are not major problems among the slugs.
And there’s another thing slugs have got on us—mucus. In slug sex, there is an exchange of mucus, which is what I will need more of if I am going to take that next step with Raymond. Not mucus exactly, but lubricant. Author:
Rona Altrows was born and raised in Montreal and lives in Calgary, Canada. She is the author of two books of short stories, A Run On Hose and Key in Lock and is currently writing a book of flash fiction. She has received the City of Calgary W.O. Mitchell Book Prize and the Brenda Strathern Prize for her fiction and has been a finalist for the Howard O'Hagan Award for Short Fiction. Altrows's work has appeared in many Canadian and American magazines and ezines. With Naomi K. Lewis, she is co-editor of Shy, an anthology in which 39 writers reflect on their own shyness. Shy will be publshed in fall, 2013 by the University of Alberta Press.
And two fantastic additional Christmas presents: #1 GRAND PRIZE:
Kaki Warner's acclaimed trilogy: THE RUNAWAY BRIDES—three strong-willed women headed West in search of new lives. But when their train is stranded in a dying Colorado mining town, they get more than they bargained for…and find love where they least expect it. "Lightning paced, innovative, topical … and most of all, frightening." -- James Rollins, New York Times bestselling author
Check out these previously posted features, because you can enter to win these books all the way until December 21! - December 3 - Joanna Bourne FEATURE AND GIVEAWAY! Today's featured book is: Summary:
Book #3 of the Kate Lange thriller series
She is obsessed with tattoos. He is obsessed with her.
When a body is found on the outskirts of Halifax, rumors run wild about the victim’s identity. But tattoo artist Kenzie Sloane knows exactly who she is. They share a tattoo… and a decade-old secret.
Lawyer Kate Lange remembers Kenzie Sloane. The former wild child was part of the same crowd that attracted her little sister, Imogen, before her death. Now Kenzie needs her help. And Kate needs answers.
But there are others who know about the tattoo and its history. And one of them is watching Kenzie’s every move, waiting for the perfect moment to fulfill a dark promise that had been inked in her skin. How I Know Pamela Callow:
Actually, I don't. Other than messaging each other through facebook and emails, we don't know each other at all. But I intend to change that in the very near future. Pamela Callow is something of a celebrity up here in Nova Scotia. I see her books all over the place. She writes intrigue set right here in our province. I'm so honoured to have her here on this promotion! Thanks for everything, Pamela, including today's giveaway AND the fantastic three book Grand Prize! Excerpt:
Flushed with triumph at finding sarracenia purpurea -- also known as the purple pitcher plant – Rebecca Chen crouched above the surprisingly clear and shallow water of the peat bog. Bag this last plant and then I’m outta here.
It was a pretty plant, and yet, according to her notes from her biology class, it was a predator, capturing its food in its petals. She plunged her hand into the muck, her fingers scrabbling down the plant’s stem, searching for the root ball. But the stem curved sideways under the dense thicket of hummock. She exhaled, her forehead prickling with sweat. Further up the slope and beyond the cliffs, lay the outer mouth of the Halifax Harbour. Fog hung over the horizon, a ghostly waterfall hovering over the deep blue of the ocean, but the cooling breeze carrying its afterdamp did not reach her.
With a grunt, she pushed her hand deep into the underside of the hummock. Her fingers hit a rock. The stem appeared to be wrapped around it.
Frig. She sat back on her heels. The peat bogs stretched around her, serene blue pools dotting scrubby hummocks of low-lying shrubs. She had never even been out to Chebucto Head until her biology teacher assigned this lab, and she cursed him when she had missed the class trip and had to find her own way to the peat bogs. After a twenty-five minute drive, she found the road to the headland. It was flanked by a protected nature reserve, but it eventually opened to a cove dotted with houses. They huddled, higgly-piggly, on the granite bedrock cliffs, as if holding their collective breath.
The peat bogs were a twenty-minute hike across the headlands. “Just find the old bunkers,” her teacher had told her. “There are two. The bogs are down the slope. You can’t miss them.” True enough, after twenty minutes of following a scraggly, muddy path, she spotted the bunkers on a crest of the cliff. There were two: one facing the water, the other offset behind it. The bunkers had been built eighty years ago as the outer battery to defend Halifax Harbour. The lower bunker perched on a slope, its flat, sharp roof appearing crooked against the sky. Tall shrubs and a handful of stunted evergreens grew around the squat concrete boxes. Rather than softening the forbidding exterior of the wartime posts, the dense thicket of shrubs and the lush branches of the evergreens served to emphasize their brutal purpose. Even in the May sunshine, they were creepy. She veered around them, and headed down hill to the peat bogs. They gleamed in the sun, the area a large, open marsh with a pleasant piney scent. It hadn’t take much time to find the samples for her biology lab.
Until now.
Last lab of the school year, last lab of high school, Rebecca. That knowledge lent extra urgency to her scrabbling. She wrapped her fingers around the rock anchoring what she now viewed as “her” plant. She yanked the rock-and-plant specimen from under the hummock, falling back on her heels. She staggered to her feet, the prize clutched in her hand. Her butt was soaked from her efforts. Figures.
She unraveled the roots clinging to the rock.
Her fingers froze.
Beneath the plant debris and muck, the rock appeared calcified. And smooth.
God. It felt suspiciously like a bone.
It’s not a bone, Rebecca.
It was a bone. Her heart pounding, Rebecca tore away the roots of the plant. The smooth curve and calcified exterior were obvious now.
It’s just an animal’s bone. Probably a deer.
She peered at the hummock, searching for the hole she had tunneled through the underside. Her breath caught in her throat.
She couldn’t move.
Couldn’t blink.
Couldn’t scream.
All she could do was stare at the two bulging colorless eyes that pinned her in their malevolent gaze. Then she saw the hooked nose, the gaping smile, the hair floating from the head. Everything tinted the same brownish color. Horror in sepia wash.
Her brain, at first, couldn’t process what she saw. Finally, her lungs forced her breath out in a gasp. And her brain interpreted the image.
The bulging eyes belonged to a mask. A rubber Halloween mask that someone had thrown into the bog. Her insides liquefied with a warm rush of relief. Then she remembered the cold, smooth length of bone in her palm.
It hadn’t been just a mask she had dislodged. The mask had been on a dead body.
She was holding proof of it.
A scream built in her throat.
The dead body was under the hummock. Under her.
Oh, dear Lord. She was holding a dead body!
She threw the bone into the water, so forcefully that water splashed onto her torso, her face. And into her mouth. An earthy, decayed taste swelled the tasted buds on her tongue. Bog water.
The water had a putrefied body in it.
She wiped her mouth with the back of her hand. With the hand that was filthy with muck.
Muck that contained a dead body.
Her stomach heaved. Vomit flecked her rain boots.
She began to scream.
Excerpt from TATTOOED (MIRA Books, June 2012) Copyright 2012 by Pamela Callow Author:
A member of the Nova Scotia bar, Pamela Callow is the internationally published author of the Kate Lange legal thriller series for MIRA Books. RT Book Reviews hailed series lead Kate Lange as a, “…standout character.” DAMAGED, the debut novel of her series, was chosen by Levy Home Entertainment as a “Need to Read” Pick, with Top Ten Bestseller placement in retail stores across North America.
Callow’s critically-acclaimed series has been compared to works by Robin Cook, Tess Gerritsen and John Grisham. She is also a contributor to the International Thriller Writers' bestselling THRILLER 3: LOVE IS MURDER anthology, edited by New York Times bestselling author Sandra Brown. Prior to making writing a career, Pamela Callow worked as a Strategic Services manager for international consulting firm Accenture. She lives in Nova Scotia, along with her husband, two children and a pug. She loves to go for walks (unlike her dog), and drink coffee. Visit www.pamelacallow.com to learn more about her books. And two fantastic additional Christmas presents: #1 GRAND PRIZE:
Kaki Warner's acclaimed trilogy: THE RUNAWAY BRIDES—three strong-willed women headed West in search of new lives. But when their train is stranded in a dying Colorado mining town, they get more than they bargained for…and find love where they least expect it.
GRAND PRIZE #2:
"Lightning paced, innovative, topical … and most of all, frightening." -- James Rollins, New York Times bestselling author
| | I'm SO excited about this promotion! | | As an author, so much of your success comes from the people around you. Not just your family and close friends, but people you don't know—readers who have spent money and time on your book, and who sometimes give the ultimate hand-up by recommending that book to their friends.
You also learn daily from other authors, people who have been where you are now, people who are standing on that same step with you, and people who are working their way up to it. Everyone has so much to share, and I've been extremely fortunate in that so many of them have chosen to share with me.
So I wanted to give you all the opportunity to get to know some of their work. Every weekday between Dec 3 and Dec 14 I'll share a different book, including an excerpt. Then you can enter to WIN that book ... AND you can enter to win these two Grand Prizes!
Let's start with a special EARLY BIRD entry: #1 GRAND PRIZE:
Kaki Warner's acclaimed trilogy: THE RUNAWAY BRIDES—three strong-willed women headed West in search of new lives. But when their train is stranded in a dying Colorado mining town, they get more than they bargained for…and find love where they least expect it.
"Lightning paced, innovative, topical … and most of all, frightening." -- James Rollins, New York Times bestselling author
Whether you are reading or writing, the world of books is filled with genres from which you can choose: childrens books, nonfiction, murder, suspense, romance, chicklit, and on and on. Yet when I sat down to tap away at my first book, I chose Historical Fiction. Why? I had never been a historian. In fact, I hadn’t ever been interested in history. But the books I’d been reading swept me up in adventures I needed to have, and I’d settle for nothing less. It all began when my mother handed me a copy of “Outlander” by Diana Gabaldon. The genius of Gabaldon is that she can incorporate her incredible knowledge of the past, her gift of research, her creative instincts, and work it all into the most human characters I’ve ever read. Jamie and Claire—as well as anyone they meet—are real. Any one of Gabaldon’s millions of fans will agree with that. Yes, they are fictional. And yet they are as real in my mind as many of my flesh and blood friends.
Is that strange? Maybe. Don’t get me wrong. I’m well aware I can’t call them up and meet for a coffee. But they really do feel as if they existed at one time. When I write, I have often said I am just the typist, the medium between the story and the keyboard. I feel the story rather than plan it. To me, quite honestly, the inspiration comes from somewhere else.
But … from where? Okay. Here’s the thing. My stories are set in the mid-18th century, so no one alive today was alive then. (I’m not talking about reincarnation or anything like that.) But people did (obviously) live back then. And they died. Those who believe we can communicate with spirits know it’s entirely possible to channel messages from beyond. Well, what I’m saying is that if I’m hearing these stories, channeling or whatever, couldn’t they be coming from someone who has passed? How do I know someone isn’t actually telling me their story?
That’s the magic for me when it comes to good historical fiction. When it’s written well, it’s so believable it feels like it actually happened. And though I know what I write is fiction, well, in truth … who’s to say it didn’t really happen?(originally a guest blog on Turning The Pages)
Yay! June's here!
Out here in Nova Scotia, the grass is green, the trees are in full bloom (though we're still waiting with anticipation for our three year old apple trees to show us a little colour), hummingbirds are dive bombing each other outside my kitchen window, and I have set up shop (as often as possible) in my outside office. That's an awesome place to be, in case you're wondering. We have a fairly consistent plague of black flies out here, and my incredible husband did a whole bunch of research to find a screen that would keep them out of "my office". He built a sturdy deck underneath and a big gazebo on top (where he likes to come out and nap while I type). I bustle back inside when it rains or gets too windy, but really, it's my favourite place to write.
May was quite a month for me, with the release of Sound of the Heart. I kept busy with my 50-stop book blog tour *whew!*, three book signings and a reading. A big thank you to everyone who popped in to see me in person or online, and a special thank you to all the dedicated book review bloggers who took the time to read and review my book. Those busy ladies are in big demand, but they are—without exception—some of the sweetest, friendliest people I've ever met. If you're looking for book recommendations, they're the place to go. And congratulations to Carla Carlson of Florida for winning the blog tour grand prize!
I've also been writing. Because I knew I'd need time to promote the books, I put my editing business to the side for a bit, and as a result I have been able to do quite a bit of writing. My agent is now reading Tides of Honour, my WW1 historical fiction based here in Nova Scotia. This is my idea for a cover, though if a publisher picks it up, they will no doubt choose their own. Anyway, isn't this gorgeous? It was taken by a local high school student, Katy Perry (no, not the pop star). I will keep everyone up to date on what goes on with Tides of Honour, the story of fisherman/soldier Danny Baker. I have a real soft spot in my heart for Danny and this book, so I hope you can all read it soon.
I started work on a new book (untitled so far) which will reach a little beyond what I've done before. Not only is it Time Travel romance, but it also includes a kind of conspiracy. I'm partial to writing characters, settings, dialogue, etc and have a little trouble with plot, so this book is a new challenge for me. Fortunately, my patient husband is a wonderful sounding board and has the BEST ideas for plots. We have a hot tub in our back yard, and we've now nicknamed it the Plot Tub, since we've gotten quite a bit of work done there. For those of you wondering about the next instalment in the MacDonnell clan stories (and I'm so happy you are!), I hope to have an update soon. Out of the Shadows is on my editor's desk and I await her verdict. She hasn't actually had an opportunity to read it yet, and I'm hoping my latest hero, Jesse, will win her over. I really love that story. If you recall, Maggie's sister, Adelaide, was very emotionally damaged after the Under the Same Sky experience, so she has quite a way to go as far as trust and believing in herself. Jesse (kind of an early cowboy, with a scruffy, rebellious edge to him) can see the strength she hides so well and is determined to get past that stubborn wall of hers. But will she trust him enough to let him help her?
And yes, I started writing a book about Janet MacLeod (the Scottish lass from Under the Same Sky who had hopes of winning Andrew's heart—poor Janet! She never had a chance!), but it's on hold for the moment. I have visions of pirate ships when I think of her, but I'm not sure yet ... We're headed to Alberta to do some family-visiting at the end of June, but I never stop "working" (what an amazing job I have!). I'm really looking forward to doing at least two signings at Chapters stores in Calgary, seeing some of my old friends while I'm there. If you're in Calgary on July 1, look me up. I'll be in the NW.
One last note - I send out an e-newsletter at the beginning of every month. I'd love for you to be on my mailing list if you're not already. Please fill in your email address in the right column of this page and you'll hear from me July 1 (Canada Day!). Here are a couple of recent, terrific reviews for Sound of the Heart, in case I haven't bombarded you with enough already: Debbie's World of Books, Moonlight Gleam's Reviews, and Evie-Bookish. One of my favourite quotes from reviews this go-round was when Evie said, " No one does historical romance the way Genevieve Graham does. She weaves a fantastic tale packed with the sweetest kind of romance, breathtaking adventure, and just a tiny bit of magic, and she does it in the most superb, addictive way."
Originally written as guest blog for In The Next Room book reviews on May 4 2012 There are almost 90,000 words in “Sound of the Heart”. Isn’t that wild? This blog post is less than 500. And yet as I was writing, there were so many more. I had to edit it back. So it kind of begs the question: Where do all those words come from?
Ah. I’m so glad you asked. Because that’s something I’d like to know as well!
It’s probably easiest to start with the physical. When I write, I head into my quiet office (which my husband assembled for me) with a cup of tea. I light a couple of candles … then stare at my computer screen. Tour from left: - Usually I have tea there, but we’re having a bit of a heat wave lately, so I’m going with ice water. No, that is not vodka.
- Basket of pens, most of which don’t work.
- Hershey kisses. Yeah, so?
- Candles (at least one). I like these new dangling square ones I picked up a few weeks ago, but they’re expensive so I only burn them on special occasions.
- Computer (this is the third laptop I’ve owned since 2007. I’m a big Mac believer now).
- Cat carving which my beloved husband made for me. I’m a dog person, but he says I collect so much stuff (yes, I’m disorganized) that he calls me a Cat Lady. I just like it because he made it.
The entire wall in front of me is a huge world map, which I sometimes use to distract me when I need something new and entertaining in my head. Like when I see “Farafangana” in Madagascar and wonder what kind of stuff goes on there. You know. Very important stuff.
Right. Now onto the writing part. Like I said, I stare at the computer screen, and I kind of wait. I think, in a way, I meditate, though there are no ohms or soothing imaginings going on in my world.
Actually, my dog, Murphy, occasionally does ohms. Kind of like a “Poor me, what a hard life I lead” kind of a comment.
Then the words start flowing, and it’s absolute magic. Sometimes the pictures are so clear in my head, I feel like I’m channelling the stories. Words literally fly out of my fingers. It’s kind of interesting, because a few people have suggested I carry around a tape recorder kind of thing so I can just speak into it and type out stories later, but I’ve found I can’t do that. The words get stuck in my brain. So I have to type. Back in 1990 I bought one of those “Typing Tutor” programmes, then taught myself to type when I was applying for a job as a marketing assistant at a top advertising agency in Toronto. Seriously. In two weeks I went from 0 to 85 wpm. I have no idea how quickly I type now, but my fingers move more quickly than my brain most of the time. I can’t carry on much of a conversation with my voice, but if I could type it I’d be just fine!
So the question remains: where do all those words come from?
And the answer is still: “I don’t know.”
My favourite part about writing Historical Fiction is that no one can tell me what I’m writing didn’t actually happen. After all, no one alive today was alive then (unless you’re talking about reincarnation or something). The stories come to me from somewhere I’ve never been, giving me words I rarely use in my day to day life. Where do they come from? What if I am actually channelling them? What if the words come straight from the stories themselves because … maybe, just maybe, they really happened.
http://www.youtube.com/watch?v=SKVcQnyEIT8
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